Chiwan Choi is the author of 3 books of poetry, The Flood (Tía Chucha Press, 2010), Abductions (Writ Large Press, 2012), and The Yellow House (CCM, 2017). He wrote, presented, and destroyed the novel Ghostmaker throughout the course of 2015. His poems and essays have appeared in numerous journals and magazines, including The New York Times Magazine, ONTHEBUS, Esquire.com, and The Nervous Breakdown. Chiwan is a partner at Writ Large Press, a Los Angeles based indie publisher, focused on using literary arts to resist, disrupt, and transgress, and a member of The Accomplices. Chiwan was born in Seoul, Korea, spent his early childhood in Asunción, Paraguay, and now splits his time between Pittsburgh and Los Angeles.
Michael W. Cox is the author of a short story collection, Against the Hidden River (2013), and a novel, The Best Way to Get Even (2017), both published by MAMMOTH books. His short stories have appeared recently in Fiction Southeast, Atticus Review, and Kestrel. He teaches creative and professional writing at the University of Pittsburgh at Johnstown and serves as creative prose editor of the print journal Pennsylvania English.
Clare Beams is the author of the story collection We Show What We Have Learned, which won the Bard Fiction Prize and was a Kirkus Best Debut of 2016, as well as a finalist for the PEN/Robert W. Bingham Prize, the New York Public Library’s Young Lions Fiction Award, and the Shirley Jackson Award. Her novel The Illness Lesson will be published by Doubleday/Knopf in 2020. Her fiction appears in One Story, Ecotone, The Common, the Kenyon Review, Electric Literature’s Recommended Reading, and The Best American Nonrequired Reading, and has received special mention in The Best American Short Stories 2013 and The Pushcart Prize XXXV. She has received fellowships from the NEA, the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference, and the Sustainable Arts Foundation.
Leia Penina Wilson is an Afakasi Samoan poet hailing from the Midwest. Her work has appeared in Denver Quarterly, Dream Pop Press, and Split Lip Magazine. Her second collection Splinters are Children of Wood is available from Notre Dame Press.
Pat Hart writes plays, monologues, short stories, and novels. Playwriting credits include “Book Wench” a one-act play, performed at the Strawberry One-Act Festival, Summer 2015, New York, New York. Published short stories include “The Vigil,” The Writing Disorder (Fall 2015), “New Wife vs. Old Wife, a love story,” (2015) and “Dragon Boogers” novel excerpt (2016) in Voices in the Attic, and “Spider Ball,” Rune (May 2015). Pat has a BA in Creative Writing from the University of Pittsburgh and is the founder of Free Association, a reading series for established and emerging writers in Pittsburgh. She is currently working on a novel set in Pittsburgh and Burma during the 1920s.
Marc Nieson is a graduate of the Iowa Writers’ Workshop and NYU Film School. His background includes children’s theatre, cattle chores, and a season with a one-ring circus. His memoir, SCHOOLHOUSE: Lessons on Love & Landscape, came out from Ice Cube Press in 2016. He’s won a Raymond Carver Short Story Award, Pushcart Prize nominations, and been noted in Best American Essays. He teaches at Chatham University, edits The Fourth River, and is at work on a new novel, HOUDINI’S HEIRS.